Rockabilly

New Orleans’ Ponderosa Stomp has presented the “unsung heroes of American music” for well over a decade in blues, soul, country, rockabilly and garage rock. Stomp impresario Dr. Ike shares his memories of pioneering the raucous, eclectic gathering, and we visit with this year’s headliner, R&B guitar-woman— aka the Black Female Elvis—Barbara Lynn from Beaumont, TX. We’ll also hear from previous headliner, Arizona Twangmaster Duane Eddy. We’re spinning tracks from Stomp artists including Gary U.S. Bonds, Lazy Lester and Linda Gail Lewis.

Tune in and rock the blues with two guitar men who do it with great authority. First up is Arkansas wild man and original Sun Records rockabilly Sonny Burgess who tore it up, playing his hits "We Wanna Boogie," "Red-Headed Woman" and others well into his eighties, before passing away last month. And hear a live set from the late great New Orleans bluesman and human jukebox Snooks Eaglin, recorded in 2007 at his home base, the famous Rock 'N' Bowl nightclub, where one can do either of those, or both, at the same time.

For Labor Day weekend, we take a break from the grind with a sonic salute to the heroic “Factory Girl” and those all too familiar with the “Workin' Man Blues.” We explore the pains and joys of labor with tunes about coal miners, undertakers, chain gangs, and paydays. We hear a tribute to Cesar Chavez and the 1969 farm workers strike in Delano, CA. And we time travel with Lord Invader to 1940s Brooklyn to attend the West Indian Labor Day Carnival.

One of the key styles of early rock n roll, Rockabilly combined rock and blues with country, or "hillbilly", music. Rockabilly artists tended to cultivate a wild, "bad boy" image. Some people consider Rockabilly artists to be rock's first punks. Although there have been many revivals throughout the years, we will focus on the original Rockabilly movement, which only lasted from about 1956 to 1960.